See Her Change | Yasmeen Godder

See Her Change


Yasmeen Godder (IL)

28.5.2013. | 20:00 | Gavella
photo: Tamar Lamm

Choreography: Yasmeen Godder
Co-Artistic Director and Dramaturgy: Itzik Giuli
Creating Performers: Dalia Chaimsky, Shuli Enosh ,Yasmeen Godder
Music: Hope Sandoval & The Warm Inventions - On the Low / Mu - Chair Girl, Hello Bored Biz Man / Devendra Banhart - Hey Miss Cane / James Blake - Wilhelm’s Scream / Cat Power - New York / Eliane Radigue - Adnos II, Elemental II / Mika Vainio - Yksinäisyys, Suru, Katkeruus, Ahriman / Nurse with Wound - Stick That Chick And Feel My Steel Through Your Last Meal, All of Me, Juice Head Crazy Lady, Untitled 8, Untitled 5 / Mori-Nauseef-Parker-Laswell - Majuu
Lighting Designer: Andreas Harder
Costumes and Props: Tom Krasny
Stage and Video: Yochai Matos
Sound Design: Tomer Rosenthal, Yasmeen Godder and Itzik Giuli
Rehearsal Direction: Matan Zamir
Technical Director: Omer Sheizaf
Sound: Oren Cohen
International Projects and Development: Francesca Spinazzi
SEE HER CHANGE is a co-production of Montpellier Danse 2013, France, and Centro per la Scena Contemporanea, in Bassano del Grappa, Italy. The new creation was supported by the Israel Lottery Council for Culture & Arts


www.yasmeengodder.com
Tickets pre-sale: 75kn
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About the show:

SEE HER CHANGE is a trio for women in which Godder performs alongside two of her longtime collaborators Dalia Chaimsky and Shuli Enosh. The process began by using the age difference of the performers and engaging each of their personal histories both as women and as performers, only to later de-contextualize them, by mixing and matching and overlaying them one on top the other, to create unexpected connections and compositions. By doing so, the work approaches the idea of femaleness as an interchangeable and constantly transformative form, in which self-image is continuously reshaped and challenged. Self-mockery is used throughout the performance, as a means of exposing vulnerability but also as a method of protection, a mask. As the three women go from being glamorous to pathetic, from being playful and childlike to becoming distressed and overwhelmed, the medium of the stage is used to expose, contemplate, and find new associations in regards to age, memory, performance and humor.

From the media:

“Run, don’t walk, to see Yasmeen Godder’s new work”  - Midnighteast
“A dramatic dance: exposed, fascinating and highly recommended!” - Yediot Aharonot

About the choreographer:

One of Israel’s leading choreographers, the recipient of numerous international awards including a Bessie, Yasmeen Godder was born and raised in Jerusalem, and moved to New York with her family where she graduated from the Tisch School of the Arts at New York University. Since 1999, she has been living in Tel Aviv and working with her own dance troupe. Her works have regularly been presented at the main dance festivals at the Suzanne Dellal Dance Center in Tel Aviv, and numerous venues and festivalthroughout the world, including Russia, Germany, England, Hungary, France, Holland, Italy Sweden, Japan, Korea and the US.